The painting below the Renoir is another special Josephine Meyer painting. Josephine told me after I'd purchased it that it was one of the paintings that she'd submitted to become an IGMA artisan.
I couldn't remember anything about the original portrait, and google wasn't being very helpful either. I finally figured out that the painting was a portrait of the Marquise d'Antin by Jean-Marc Nattier. It looks like Josephine changed changed the color of the dress from blue/grey to gold! Josephine also made the gold easel. I've always had a vague idea that I should drape it with a bit of silk or velvet, but I'm holding off until I have the color scheme for this room pinned down. The (standard bespaq) upholstery in this room was light green for years, but I never really liked it. Right now the parlor is in a bit of a battle between the brighter shade of green which I used to reupholster the loveseat, and some brown and pink furniture I stole from other rooms and loved in here. I think the brown and pink will win in the end, but it's a little hard to banish the green after years of picturing it that way.




I'm excited that I may be able to finish this painting. Of course I still see lots of things that need to be fixed, and large parts of the painting are still untouched, but it's going a bit faster than I expected.
I went back in and straightened out the mouth a bit, and lowered the eyes a little (still a bit cross-eyed and eyebrow-less). The hands could use lots of work as well. I'm concentrating on the first painting for the time being though, and letting her wait a little longer.